Au Revoir Vandana
We never imagined the day would come when we would have to pen an obituary for one of our own...
Q&A with Cecilia Bartoli
Salzburg Festival: Ms. Bartoli, so many composers and authors set their works in Seville, despite never having been there. You...
Robert Schumann’s New Year Eve
In the good old pre-pandemic days (remember them?), we at Child’s Play would have been resting during the festive season after all the hard work put into our annual Christmas concert earlier in the month of December. One of those concerts...
Dynamic Micro-Tuning with Infinitone DMT: Bridging Traditions and Unlocking the Future
For hundreds of years, a seemingly unsolvable puzzle has perplexed music theorists: How can a musician play music using pure intonation,...
Unsung Provenance
ON Stage brings you edited excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988...
O Come, Little Children!
If you’re a Suzuki student or parent, you’ll at once have a specific tune playing in your head on reading the title of this piece. It turns up pretty soon in Book 1 of the Suzuki violin (and viola, cello, and...
To the SOI, With Love
To commemorate 15 years of the Symphony Orchestra of India, four regular concertgoers at the NCPA look back at some...
Beyond Jingle Bells
“Tis the season indeed for a one-horse open sleigh. The tintinnabulation of that particular piece of merry music follows one...
