Reviews
Sunday 29th September saw a jam-packed Tata Theatre in anticipation of legendary Japanese-American violinist Midori’s long sold-out recital. She had flown in from Colombo and played in Pune the night before. Nursing a cold her thorough professionalism saw her through the demanding programme with unflinching determination. The audience erupted
Reviews
On 15th September at the Experimental theatre the sell-out audience was treated to a rare occasion. A piano-duet partnership that sparkled with virtuosity and convinced with refined musicianship. The two pianists were the husband and wife team of Alessandra Ammara and Roberto Prosseda, both versatile and virtuoso pianists in their
Reviews
Albert Schweitzer believed that there were only two means of refuge from the miseries of life- music and cats. What better place to test this claim than the charming Prithvi Theatre in Mumbai, which hosts the Symphony Orchestra of India on the second Monday of every month, and incidentally, abounds
Reviews
On the last day of the first half of this year, 30th June 2019, two young musicians, unsponsored by any supporting organisation or individual, with the gleam of artistic ardour in their eyes, and armed with the optimism of the young, presented an evening of entertainment to a small but
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When I moved to Bangkok almost 4.5 years ago, the first thing I did was scour the music and arts scene, an essential component for me when it comes to any of the cities I’ve lived and worked in. Beijing’s classical music scene was growing when I
Reviews
31ST MARCH German diva Diana Damrau in her last slated concert of her Strauss LSO residency was to appear on 31st March at the Barbican. She had programmed the world premiere of Iain Bell’s song cycle The Hidden Place (2009) and the closing scene from Strauss’ conversation piece Capriccio.
Reviews
Forty-six year old Lima-born celebrity tenor in his much-awaited London recital was accompanied by the London Philharmonic Orchestra conducted by Sascha Goetzel. Opening the concert on 29th March at the Royal Festival Hall with the overture to Rossini’s opera “La gazza ladra” (The thieving Magpie), the conductor set the
Reviews
The long-awaited opening night of the hottest ticket in arguably the season in the operatic world finally arrived. La Forza del Destino was written by Giuseppe Verdi to a libretto by Francesco Maria Piave had its premiere in St. Petersburg in 1862. There after it underwent some revisions receiving its
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The Orchestra of the Age of Enlightenment (OAE) is a resident British orchestra at the Southbank Centre in London. Although its leadership is rotated between three musicians it was formed by a group of period instrumentalist players and has no principal conductor or music director. This gives the flexibility to
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There is no doubt that Maurizio Pollini at age 76 remains one of the world’s great piano virtuosos. This was manifestly proven in the March 12 sell-out concert in the international piano series here in the Southbank Centre’s Royal Festival Hall in London. Pollini has had a long
Reviews
Partnerships between composer and librettist are an essential complexity in the composition of successful opera. Some examples in its history include Mozart and Lorenzo Da Ponte, Verdi and Arrigo Boito, Strauss and Hugo von Hofmannsthal and of course Gilbert and Sullivan. The pairing of Mozart and his Italian librettist produced
Reviews
Three star singers appeared on stage together in a unique and intelligently devised programme. The three singers were English soprano Sophie Bevan, Welsh mezzo soprano Catherine Wyn-Rogers and Welsh bass-baritone Neal Davies. And the raison d’etre? These three singers happened to be in Mumbai to sing in Beethoven’s