ON Stage is the cultural magazine of the National Centre for the Performing Arts (NCPA), Mumbai, and features authoritative stories on the performing arts.
Know Your Composer
We take a look at how Mozart’s Symphony No. 40, also known as the G minor Symphony—which offers the listener moments of jubilation and darkness, enigma and eloquence—has been interpreted over the years. Mozart’s Symphony No. 40 in G minor, one of his most critically acclaimed
Music Education
ON Stage brings you edited excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988 and featured authoritative and wide-ranging articles. In the concluding part, scholar, curator and Indophile Robert J. Del Bonta discusses the influence of Indian myths and legends on European cultural
Throwback Thursday
To commemorate 15 years of the Symphony Orchestra of India, four regular concertgoers at the NCPA look back at some of their favourite performances and fond memories of India’s first and only professional orchestra. Ever since it was set up in 2006 by NCPA Chairman Mr. Khushroo N. Suntook
Music Education
ON Stage brings you edited excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988 and featured authoritative and wide-ranging articles. In the second part, scholar, curator and Indophile Robert J. Del Bonta discusses the West’s understanding of India’s heritage and traditions,
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988 and featured authoritative and wide-ranging articles. The concluding part of a feature by musician and ethnomusicologist Ashok D. Ranade on categories of music talks about what demarcates popular music from
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988, and featured authoritative and wide-ranging articles. In the penultimate part of the series on categories of music, musician and ethnomusicologist Ashok D. Ranade examines the various aspects of folk music
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988, and featured authoritative and wide-ranging articles. In the first of a three-part series on categories of music, musician and ethnomusicologist Ashok D. Ranade dissects definitions and dispels common misunderstandings regarding
News
India’s first and only professional orchestra, founded at the NCPA, has turned 15. From performing challenging repertoire and playing with the legends of classical music to touring internationally with great success, the SOI has gone from strength to strength. We bring you memories, and messages from the pillars of
News
What is a theatre without its artistes and audience? The last 18 months revealed a sombre facet of a scenario that seemed inconceivable in the forever busy corridors of the NCPA. But with theatres been given the green light to reopen, the buzz has returned. Chairman Mr. Khushroo N. Suntook
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988 and featured authoritative and wide-ranging articles. In this multi-part article, scholar, curator and Indophile Robert J. Del Bonta explores operas that mention, are set in or are about India, delving
Music Education
An exponent of the classical tradition and champion of contemporary music, the Hungarian-born musician’s oeuvre bears the stamp of his individuality and formidable technique. By Cavas Bilimoria By the mid 1920s it seemed as if the zenith in bewitching sound, charm, elegance, suavity and virtuosity spearheaded by Ysaye and
News
The inseparability of art and human existence, the civilising impact of the visual and performing arts, and the humaneness that they nurture were themes Dr. Farokh E. Udwadia addressed with great eloquence and erudition, sprinkling them with poetic interludes, at the 2021 edition of the Jamshed Bhabha Memorial Lectures. We