Reviews
On the 21st and 22nd November Gauthier Herrmann was joined by 13 young French musicians for the twentieth edition of the Artie’s festival, a major bi-annual chamber music festival at the NCPA, now completing ten years successively. Over the years, we have heard much fantastic music including Beethoven string
Reviews
Robin Ticciati/Scottish Chamber Orchestra Dvořák Symphony No. 8 Mitsuko Uchida, Piano 12 October, 2017 Usher Hall, Edinburgh If this is Robin Ticciati’s farewell season with the Scottish Chamber Orchestra, then their opening concert was a fine display of everything that Ticciati and the orchestra have achieved together during
Reviews
I still do not know exactly, what most of the other participants in the concert on 6 October actually thought of it, as we haven’t really met each other since the combined onstage photo-op at its end. Perhaps, we would now hate the very sight of each other, so
Reviews
I journeyed back to Austria for the last three nights of summer bliss in Europe. The night of September 5th I was to see Mozart’s opera buffa, Le Nozze di Figaro. This masterpiece the fruit of the legendary Lorenzo da Ponte and Mozart collaboration was a rib-tickling roller-coaster ride
Reviews
I journeyed to Torre del Lago for the Puccini festival 2017 to hear La Bohème on 30th August, the last night of the festival. The 63rd Festival Pucciniano featured the Tuscan verismo maestro’s popular works Bohème, Tosca and Butterfly as well as Turandot and La Rondine on the fabled
Reviews
Neck to neck, two great symphony orchestras finished the festival programme on a high note. This was the Berlin Philharmonic (Monday 28th August) and Pittsburg Symphony orchestra (29th August). I took a few days off writing to journey to Italy, the home of opera and then on to Vienna for
Reviews
On Sunday 27th August, there was a concert performance of Donizetti’s bel canto masterpiece - Lucrezia Borgia. With a line-up of some of the best singers in the world, this was a three hour long performance. Victor Hugo’s Lucrèce Borgia, performed for the first time on 2 February
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It is not often that Anne-Sophie Mutter appears anywhere in recital. But here she is on my fourth day at the festival in recital with her long time accompanist Lambert Orkis. From start to finish it was clearly proving to be one of the most outstanding concerts of the festival.
Reviews
This opera from the late period which includes other masterpieces like Don Carlo and the Requiem Mass represents Verdi at his finest. This has become traditionally music as political propaganda for fascist forces both Italian and German in the early twentieth century. It represents a beacon of fascist racial policy
Reviews
While I am familiar enough with the world of the classical guitar, and have earlier reviewed Mr Rupert Boyd’s previous collection of Fantasias on Serenade, I have heard cello music much less frequently and have never actually come across duets between these two instruments before. My first impression when
Reviews
It is not often that three of the world’s greatest string players come together to make chamber music. On the 24th of August violinist Frank Peter Zimmermann was joined by viola player Antoine Tamestit and cellist Christian Poltéra. In many ways the string trio formation (also that of two
Reviews
There is an air of extreme anticipation in the buzzing little city of Mozart’s birth, Salzburg. The French president is in the city and is expected to be at the concert of the evening of 23rd August. This is a soloist concert in the late evening at the Grosses