Reviews
The Symphony Orchestra of India, led by Zubin Mehta, launched its Spring 2025 Season with a stunning performance featuring Alexander Gadjiev. The program included works by Beethoven, Chopin, and Dvořák, showcasing exceptional artistry and musicianship.
Reviews
Zubin Mehta’s powerful interpretation of Richard Strauss' masterworks captivated audiences in Mumbai. With Angel Blue’s sublime vocals and the Symphony Orchestra of India’s stellar performance, it was an unforgettable evening of virtuosity and profound emotional depth.
Reviews
Running a symphony orchestra is a full-time job indeed. It goes without saying that a music director must know every bit of the tools needed to curate a season from scratch. It is impossible to predict how a season will turn out, even with advanced knowledge of the forthcoming repertoire
Reviews
The subtitle of Quartet, historian Leah Broad’s book about four UK women composers, reads boldly: How Four Women Changed the Musical World. But I am unsure that the musical world – for Broad, classical music – was changed in any meaningful way by composers Ethel Smyth (b.1858) Rebecca Clarke (b.
Reviews
On the 22nd of April, 2022, at the Royal Festival Hall in London, it was a red letter day for fans ofopera. In one of her now extremely rare appearances in concert and productions alike, Renée Fleming appeared in a gala evening of music by composers as diverse as Dvořák,
Reviews
I was agog in anticipation. Playing to a capacity audience on April 8 at the Theatre de Champs-Élysées, Paris, I had the unique experience of listening to the much-touted Lisitsa play live for the first time. Her reputation has consistently preceded her wherever in the world she plays. She is
Reviews
Celebrating the end of Christ’s life in his two extant Passions this is his first major choral work for Leipzig, Bach being only recently employed there as Cantor.The two existing Passions distill the same story with Jesus rising from the dead on Easter Sunday morning. But before this
Reviews
The weekend before Passion Sunday the merrymaking in Paris’ huge Philharmonie Grande Salle began. On Sunday, 3rd April, the main attraction was a liederabend by two vocal stars: Diana Damrau and Jonas Kaufmann. The expectation in the hall was heavily pregnant with anticipation. It is rare that two huge vocal
Reviews
The last time I heard Martha Argerich in recital was at the Salzburg Festival in summer 2017. The Maestra Prima Assoluta was then accompanied by her compatriot and fellow virtuoso, Daniel Barenboim. Barely a year apart in age, the mood that evening was plangent and controlled in comparison with the
Reviews
The year 2021 has drawn to a close. Many artists, even those at the pinnacle of their respective professions, have had to throw in the towel. All but a few pianists at the top of their game have been able to sustain themselves out of the pandemic. Even as I
Reviews
For those who have missed my preliminary and semi-final reviews of the Sydney International Piano Competition 2021, here is a brief summary. The Sydney was to have been held in July 2020. As a result of the pandemic which began at the end of 2019 the preselection committee of the
Reviews
For their semi-final rounds each participant was expected to present a 50-minute programme of their own choice. The only stipulation is that they must present a themed selection rather than just a random list of showpieces. Most participants did very well and some for instance Artem from Ukraine chose an
