Music Education
If you’re a Suzuki student or parent, you’ll at once have a specific tune playing in your head on reading the title of this piece. It turns up pretty soon in Book 1 of the Suzuki violin (and viola, cello, and I imagine other instruments too) method, the
Music Education
“Tis the season indeed for a one-horse open sleigh. The tintinnabulation of that particular piece of merry music follows one around as pervasively as the aroma of plum cake and stollen. Christmas is a time of sugar and spice and all things nice; one of the nicest being the vast
Music Education
ON Stage brings you edited excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988 and featured authoritative and wide-ranging articles. In the second part, scholar, curator and Indophile Robert J. Del Bonta discusses the West’s understanding of India’s heritage and traditions,
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988 and featured authoritative and wide-ranging articles. The concluding part of a feature by musician and ethnomusicologist Ashok D. Ranade on categories of music talks about what demarcates popular music from
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988, and featured authoritative and wide-ranging articles. In the penultimate part of the series on categories of music, musician and ethnomusicologist Ashok D. Ranade examines the various aspects of folk music
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988, and featured authoritative and wide-ranging articles. In the first of a three-part series on categories of music, musician and ethnomusicologist Ashok D. Ranade dissects definitions and dispels common misunderstandings regarding
Music Education
In this age of misinformation, online piano lessons can feel like yet another labyrinth. This article untangles the web of misconception, shows you how to learn online effectively, and finally answers the question: what are the best free online piano lessons? *sigh* Here’s a clue: it’s not an
Music Education
ON Stage brings you excerpts from the NCPA Quarterly Journal, an unsurpassed literary archive that ran from 1972 to 1988 and featured authoritative and wide-ranging articles. In this multi-part article, scholar, curator and Indophile Robert J. Del Bonta explores operas that mention, are set in or are about India, delving
Music Education
An exponent of the classical tradition and champion of contemporary music, the Hungarian-born musician’s oeuvre bears the stamp of his individuality and formidable technique. By Cavas Bilimoria By the mid 1920s it seemed as if the zenith in bewitching sound, charm, elegance, suavity and virtuosity spearheaded by Ysaye and
Music Education
Pupils always find it perplexing that their teachers should ever need to do any actual practise. ‘You’re a professional– you don’t need to practise!’ And we may think, ‘I’ve taught that piece a hundred times – I don’t need to practise it.’ If you do play professionally
Music Education
If you play the piano, you’ve probably played the first movement of Beethoven’s Moonlight Sonata. Beginners can’t wait to play all three pages, and advanced learners can’t wait to get into the last movement. Many can play the first movement, but the third movement is somewhat
Music Education
In the final part of the series on the NCPA’s collection of musical instruments, we take you through the ins and outs of a prized pipe organ gifted to the NCPA circa 1988. We also bring to the fore top-notch pianos that light up many a recital across our