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Gabriel Fauré’s Cello Sonata No. 1 in D minor, Op. 109 inhabits a world of elegance and dreamy nostalgia. It is music characterized by soft edges, buoyant motion, and an effortless sense of melody. Composed in the summer of 1917, this is one of two cello sonatas Fauré completed
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Beethoven was a newcomer to Vienna when, in 1795, he completed the Piano Concerto No. 1 in C Major. It is bold music which was designed to showcase the young composer’s skills as one of the preeminent virtuoso pianists of the time. Although the C major Concerto was the
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Maria Theresia Paradis (1759-1824) was the daughter of the Imperial Secretary of Commerce and Court Councilor to Empress Maria Theresa. She lost her eyesight at the age of 4, and although she initially responded to treatment, she relapsed into her previous blind state. Although she lost her eyesight early on,
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Recently, Antonio Salieri (1750-1825) has gotten some seriously bad PR. But we need to be clear about the fact that he did not cause Mozart’s death. Salieri was a serious and steady man, but there is also mention of him as friendly and cheerful. The Irish singer Michael Kelly
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Tchaikovsky’s Piano Concerto No. 1 in B-flat minor opens with one of the most powerful and iconic introductions in music history. A mighty four-note descending line, stated three times in the horns, is punctuated by orchestral thunderbolts. A soaring and expansive theme emerges in the strings, accompanied by colossal
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Camille Saint-Saëns was 24 years old when, during the summer of 1859, he composed Symphony No. 2 in A minor. It is a work which is both youthful and convention-defying. Intimate and compact, this music is far removed from the monumental grandeur of the “Organ Symphony,” which Saint-Saëns wrote some
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The Latvian composer, Pēteris Vasks (b. 1946), began as “a young, angry and avant-garde” modernist. Over time, his music evolved to embrace consonance, simplicity, spirituality, Latvian folk influences, and “echoes of bird songs.” Composed in 2013, Vasks’ The Fruit of Silence is a choral setting of a prayer by Mother
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In the historiography of Western music Wolfgang Amadeus Mozart occupies a special position. We consider him an exceptional and singular musical genius who attained the status of an undisputed superstar of Classical music. God-like status and reverence aside, we also understand, however, that Mozart was very human in his emotions
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Ethel Smyth (1858-1944) was determined to devote her life to music and thus she studied at the Leipzig Conservatory. There she met Dvořák, Grieg and Tchaikovsky, and later through her private teacher Heinrich von Herzogenberg, became acquainted with Clara Schumann and Johannes Brahms. Tchaikovsky wrote in his memoirs, “Miss Smyth
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Franz Joseph Haydn’s 1798 oratorio, The Creation, begins with a shocking musical depiction of chaos which, at times, seems to anticipate the chromaticism of Wagner. This famously progressive harmony sets the stage for a masterful dramatization of the creation of the world, as outlined in the Book of Genesis.
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Vítězslava Kaprálová (1915-1940) was one of the most impressive and exciting musical voices at the beginning of the 20th century. She wrote her first compositions for piano solo at the age of nine, and graduated from Brno Conservatory with a piano concerto, which she conducted herself. She was able to
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The British cellist, Steven Isserlis, has called Franz Joseph Haydn’s Cello Concerto No. 1 in C Major, “the greatest Classical cello concerto. It’s full of joy, of joyous virtuosity. It’s perfect.” Haydn wrote this music in the early 1760s, around the time that he began employment as