Features
What are your thoughts on Western classical music and fusion? I don’t like the Indian and Western comparisons, but the one thing I do like to take note of is that in the West, there is a space created for every genre thereby allowing it to exist on its
Features
The Anglia Ruskin academic department performed live data beamed back from the DSCOVR satellite. Two unique performances of the “Sound of the Earth” were staged in Austin, Texas, on 16th and 17th November 2015. Taking place in the NASA booth at the SC15 supercomputing conference, Dr Domenico Vicinanza from Anglia
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What were the highlights of your India tour? It would be very difficult to choose a specific moment as the entire trip was fantastic! I had such a wonderful time returning to Delhi, Pune, Mumbai and Bangalore. Each of the organisations that hosted and presented me were so enthusiastic and
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“What is Western classical music?” When an Indian musical magazine asked me to write an article answering such a wide and slippery question it seemed clear to me that it would be a challenging task. To make things worse, the article must be short. I must confess to the reader
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Bombay has an earnest but limited audience for Western classical music – unless the best known ambassador for it comes to the city. When Zubin Mehta stages here, he has a “bass” which is wider than the familiar, oft-seen music lovers and the audience “trebles” in numbers. October 26th, 2015 was
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Please share your background with us. I was thrust into a career in advertising without a by-your-leave way back in 1971 but that’s another story. I started my own advertising agency, Maadhyam in 1979 after stints on the other side of the table with Usha Sales and DLF. Crossed
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We would like to congratulate Soprano Patricia Rozario on performing the British National Anthem for Prime Minister Narendra Modi at the Community Address in Wembley Stadium, London. We got in touch with Patricia to hear more from her about the experience – “I was honoured to be performing at Wembley Stadium
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Western Classical music education is a brand name used for parts of the pedagogy of music literacy. Music literacy, as used today, was born out of a finite notation system using neumes[1]. This notation was necessary for the rise of the Christian Church and plainchant – a simple liturgical melody
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THE EAR IS A BIOLOGICAL PHENOMENON; but the human ear is also a cultural product. It has a history, a perspective and an interest of its own. The ear of the modern concertgoer is unlike the ear of a medieval chorister, and both are distinct from the ear of the